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NICE TOMORROW
MUSIC VIDEO
TIME REMAINING:
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The script showrunner has closed submissions to choose a stage winner. Good luck to all participants!
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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Stage Video: Click here to view!
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Stage Video: Click here to view!
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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Stage Video: Click here to view!
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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Stage Video: Click here to view!
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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Stage Video: Click here to view!
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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Stage Video: Click here to view!
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The scene is set during the instrumental intro that it's a rainy day; tea is boiling on the stove top. We then peak in a country cottage where a guy and girl sit opposite eachother. Guy is sketching the girl on an artist pad, as she plays along and tries to sit still. Camera close ups on both faces, eyes, drawing, etc. During chorus at "I'll be damned" we catch a glimpse of what they could be doing, i.e. having a pic-nic on a sunny day, riding in a truck with the windows rolled down.
Second verse, girl has made guy pose as she sketches him. During the second chorus "I'll be damned" we see them reveal their sketches of eachother. His is a beautifully drawn sketch of her, her canvas is empty. The rain has stopped. And she's out the door. "Curve ball" and guy stands in doorway as he watches her pull away. More glimpses of a brighter, better day flash by. The door closes. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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Stage Video: Click here to view!
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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Stage Video: Click here to view!
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Stage Video: Click here to view!
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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Stage Video: Click here to view!
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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Stage Video: Click here to view!
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She is naive and young, very scatter-brained and unorganized. She is very much still a kid on the inside. She wears whatever clothes she sees first because she has more important things to think about. Her initial idea of him was perfect, nearly god-like. While He is falling in love with her, she is falling in love with the idea of him. She sees him as perfect, flawless, her beginning sketches show him as larger then life but all end up on the floor in crupled piles. As time progresses, she progresses with her drafts and with the realization that who he is isn't who she thought, the sketches get less and less spectacular until we see the empty page and she finally leaves. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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As the young soldier has returned from Iraq, disgusted and disillusioned, La LLorona's encounter brings out the fight still in the young man. He has given up on life and hope for a better tommorrow; his girlfriend left him while he was away, and his family treats him as a war hero from a war he no longer believes in. Because of the confrontation, he is rejuvinated and recharged fighting for his life. This conflict actually makes La Llorna a positive antagonist in the recovery from the horrors of war for the protagonist. |
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Stage Video: Click here to view!
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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The phone is dead. The woman climbs out of bed her bare foot going over the side of the bed and stepping in a dark blood. She looks up and she is in the scene we saw flashes of earlier. The doctors look up and see here, smile and go back to their work. She runs out the door into the fully lit hallway and runs all the way to the end and opens the door. |
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Brian Sizensky is one of the hottest new song writers and performers in New York City. Brian, as well as all of us at SkyTown Entertainment, are extremely excited about creating a music video with all of you here at NetStudio.tv.
At the age of twenty two, his impressive repertoire of original music spans many genres and is equaled by his natural abilities on guitar and his smooth vocal quality. He is currently recording his debut album.
The name of the music video is "Nice Tomorrow," and we've chosen winners for the pitch & plot stages!
www.myspace.com/briansizensky
www.skytownentertainment.com
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